What you're about to read is a collection of pointers to some of the music I've discovered on the iTunes Music Store, music I like enough that I want to share it. If you're an iPod owner and an iTunes fan (and if you aren't, what are you doing here?), maybe you'll find something new. Click on any of the CD covers to bounce over to the store and sample a few tracks. And then maybe stop by my other blog for a few well chosen words (and maybe a random snark or two). | ||||||
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Have some music to recommend? I can always use a few pointers. Use the comments link at the bottom of the page. | ||||||
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Wed, 01 Mar 2006 |
Asian Fusion / Ancient Future | |
My mom never saw a recipe she couldn't try to improve. Which drove me
crazy as a kid (oh, so that's what did it!), since I was the kind of
purist who rebelled at any deviation from the rules. What's funny of
course is that my own approach to cooking is even more radical than
hers, although the results are far more variable.
For both of us, the problem is the predictable, the usual, the bland. I mention this in reference to the latest Ancient Future release. They too are looking for a way to break out of the mold, which in their case is New Age, and to spice things up. My experiments often involve Asian peppers; they use Asian instruments. The results here are more interesting than the usual New Age, although still rather on the safe side. That's a claim my cooking can't make. |
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[ Category: New Age | 1 comment | Link ] |
Wed, 16 Feb 2005 |
17 Seconds to Anywhere / Liz Story | |
While exploring the iTMS, I came upon an interesting album called Of Life and Love, a collection of New Age piano pieces by Jane Trojan. At first I thought I'd make it the subject of today's recommendation. But the more I listened, the less enthusiastic I became. And I realized that it reminded me more than a little of Liz Story, another New Age pianist I'd discovered many years back. Except that listening to Ms. Trojan made me miss Ms. Story all the more; her technique is more interesting, her compositions more adventurous. So take this as a recommendation for 17 Seconds. And my hope that Part of Fortune, the album that hooked me on Liz Story way back when, will get added to the iTMS before long. | |
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Mon, 08 Nov 2004 |
Mirrors / Sally Oldfield | |
I can still remember the very first time I heard Sally Oldfield. It would have been 1985 or so. I was living in Los Angeles and was taking a drive one weekend up to Santa Barbara. In those pre-CD days, at least for me, I was limited to what I could find on the radio. So I was spinning the dial (not literally; I'm pretty sure I had a Scan button rather than a dial) until I came upon an alternative music station. And out of my radio came the most amazing voice. I don't remember which song it was. Might have been Mandala. Or maybe it was Sun in My Eyes. But whichever song it was, I was transfixed. I found a greatest hits collection a while later, and then Mirrors. And Ms. Oldfield's music has been part of my rotation ever since, first in my CD case and now in my iPod. I'll never understand how such an amazing and original talent can fail to catch on in this country. Then again, there are a lot of things I'll never understand about this country. | |
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Wed, 27 Oct 2004 |
The Phantom of the Organ / Noted Phantom Erik | |
I've always thought of New Age music as light and cheerful, often soothing, soporific even. So what's this doing among the iTMS New Age offerings? Granted, it's a few days before Halloween as I write this, so scary harpsicord music may qualify as light and cheerful for the ghosties and goblins. And this album would certainly set the mood for a good fright, if that's what you're into. Better than the sounds of chainsaws or ripping flesh and the sight of entrails, especially for those of us with weak stomachs. | |
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Mon, 25 Oct 2004 |
Memories of Utopia / Robin Spielberg | |
Funny how a visit to the Renaissance Faire always leaves me in a New
Agey frame of mind for the next few weeks. At least where music is
concerned; I'd like to think that other aspects of my personality are
unaffected by the experience. Not that they couldn't stand some
affecting. But that's a rap for another time.
But suffice it to say that my affection for Robin Spielberg's piano pieces may be influenced by external forces: those images of girls in long dresses with not exactly politically correct necklines, jugglers, mock Shakespeare and a bit of good English ale. New Age music just fits with that whole scene, even if a piano would be wholly out of place. And time; there were very few pianos in those days. But Ren Faire ramblings aside, this is perfect background music for a drive in the country or a boring afternoon in the office. You can concentrate on the important stuff and feel like you're in a better place. Not that there's a better place than my office, in case any of my coworkers are reading this... |
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Sat, 02 Oct 2004 |
Dreamcatcher / Secret Garden | |
I'm starting to see a pattern in the selections here. More New Age
than I'd have predicted; I got introduced to it just after college and
moved on long before it became the choice of elevators everywhere.
And more violins; I think of myself as having more of a pop rather than
an orchestral sensibility. But maybe that's just self-delusion. Or
maybe I'm more interested in writing about music that's a little less
mainstream.
Whichever the reason, here comes another New Age recording with violins. Secret Garden is a keyboardist from Norway and a violinist from Ireland, along with various supporting musicians on the tracks. A strange combination, but one that offers characteristics of two very different musical traditions. How to describe it... Think Enya with fewer vocals, and without every song sounding quite so much the same. It's a pleasant background when you want to relax, while showing greater complexity if you care to give it your attention. Sounds like a pretentious wine, doesn't it? |
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Fri, 24 Sep 2004 |
Mystical America / Laura Sullivan | |
I almost always have a reason for my decisions. Sometimes, though, the reasons aren't entirely... reasonable. Case in point: this collection of New Age instrumentals. I gave it a first listen because of my sexist and soon to be dashed hope for some feminine vocals. And I might have passed it by, as pleasant as it was, if I hadn't noticed the name of the record label. Delvian Records. Means nothing to you, I suppose. But then again, you're not a hopelessly addicted Farscape fan. If you were, you'd know that Delvians are these New Agey religious types, full of righteous beliefs and mystical powers. Oh, and they're blue. Which I guess is easier than being green. So anyway, I took it as a sort of omen and bought the album. See, I told you I had a reason. | |
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Wed, 22 Sep 2004 |
Sonnet / Martin Lass | |
I discovered Martin Lass on my second trip to
Australia. Just before dropping a friend
at Sydney Airport for her flight home, we stopped at Darling Harbour in
hopes of finding a CD of folk songs for her collection. (I'd found
my copy a couple of days earlier.)
Mr. Lass was performing in the shopping centre, doing a combination of
classical and contemporary pieces on his violin, with keyboard and
percussion as accompaniment. I bought a copy of his String Sensations
CD on the spot and have it in regular rotation on my iPod.
Flash forward ten years. That CD is sadly out of print (although why it can't be revived for the electronic marketplace I have no clue). But I noticed a couple of others in the iTMS. Sonnet is Mr. Lass's own compositions of a mostly New Agey flavor. (Or should that be flavour?) If you like the sound of a skillful and energetic violin and don't cringe at the thought of New Age, give it a listen. |
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[ Category: New Age | 2 comments | Link ] |
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