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There are so many ways this album could have gone wrong. Condider the
recipe: Start with one young French singer and have her perform 14th
century Italian music. Add a full orchestra and choir. Mix well and
garnish with a few audio effects, like the ocean sounds on
Aedeus.
And hope like hell you haven't overshadowed the solo vocals with all
that production.
I'm not quite sure of the result, although Ms. Shapplin has a truly
lovely voice. I've seen a few reviews that compare her to Sarah
Brightman. Personally, I find Emma Shapplin's singing to be both
warmer and sweeter. But I'd love the chance to hear her sing
something more contemporary. They just don't write new 14th century
Italian music any more.
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